Here you can find a sneak preview of our upcoming programs in October/November 2022. This preview will be periodically updated, allowing us to keep you informed about upcoming retrospectives, new chapters in our regular film series, as well as symposia and premieres.
Program December 2022 / January 2023
(December 1, 2022 to January 11, 2023)
December 1, 2022 to January 9, 2023
Hong Sangsoo
New Works
With 28 films and three short films in 26 years, Hong Sang-soo is one of cinema's most productive filmmakers. This two-part retrospective provides an opportunity to dive into the world of the South Korean director. Each of the films is like the stones of a building in which one briefly becomes lost in a delirium of differences and repetitions (and reductions). The second half of the retrospective is dedicated to Hong's later works. [...]December 4 to 18, 2022
Collection on Screen
Ansichten und Absichten:
Film is not actually political
To mark the publication of Drehli Robnik's Ansichten und Absichten (FilmmuseumSynemaPublikationen Vol. 36), a collection of texts on popular cinema and politics, Robnik has curated a module of Collection on Screen: 3 evenings, 6 events, 8 films, which are recommended as both a supplement and food for thought. [...]December 7, 2022
Talks with Women Film Pioneers
Director Käthe Kratz
Käthe Kratz was the first woman to study directing and scriptwriting at Vienna's film school. After screening her film Lebenslinien. Augustine – Das Herz in der Hand (1985), director Katharina Mückstein and journalist Julia Pühringer will moderate the conversation with her. [...]December 8, 2022
Cinemini on Tour
Cinema for Little Ones
Cinemini on Tour brings film programs, moderated by a film educator, to children ages 3 and up and their families. This time, the invitation is: Let's dance! [...]December 8, 2022 to January 5, 2023
Arne Sucksdorff
The Great Adventure
Arne Sucksdorff is Sweden's most prominent non-fiction filmmaker, having directed sixteen shorts and four feature-length films between 1940 and 1965. The distinction between fiction and non-fiction is a question of perspective and it is true that Sucksdorff staged his films and could spend hours and hours waiting for the right moment to occur before shooting his carefully planned compositions. He was his own director of photography and his œuvre is among the most visually striking in Swedish cinema. [...]December 10, 2022
Collection on Screen
Len Lye
Len Lye's unique films have long been a part of the Austrian Film Museum's collection, which is also home to his study materials. [...]December 16, 2022
Premiere
Peter Nestler
German filmmaker Peter Nestler is among the most important documentarists of our time. On December 16, his most recent, two-part film Unrecht und Widerstand and Der offene Blick, will be presented in his presence. [...]December 21, 2022
Johann Lurf: Stargazing in Cinema
Johann Lurf presents the newest edition of his film ★ and the publication of Stargazing in Cinema (Johann Lurf, 2022) [...]December 23, 2022 to January 8, 2023
Collection on Screen
Sandrine Veysset
With her prize-winning debut Y'aura t'il de la neige à Noël?, Sandrine Veysset established herself in 1996 as one of the white hopes of French auteur cinema. Her captivating fusion of candid, realistic depictions of poor countryside life and a dreamy, poetic quality revealed a special signature, which remained present in her following work. [...]December 23, 2022
Jonas Mekas: A Centennial Celebration
Jonas Mekas (1922–2019) would have turned 100 this year. As a tribute to this essential trailblazer of independent American cinema, we will show the restored version of his only feature film, Guns of the Trees (1962). [...]December 24, 2022
The Wizard of Oz
Christmas at the Film Museum
At Christmas – with a screening on the early afternoon of December 24 – we will be showing the MGM classic The Wizard of Oz (1939). [...]January 6 to 11, 2023
Films You Cannot See Elsewhere
The Amos Vogel Atlas 12:
Chantal Akerman and Samy Szlingerbaum
Multi-faceted artist Chantal Akerman (1950–2015) is Belgian's best known filmmaker. Almost unknown, however, is the small body of work of one of Akerman's accomplices who died prematurely: Samy Szlingerbaum (1950–1986), with whom she made the mid-length film Le 15/8 (1973). [...]Each Tuesday