Gros Loup, 1976, Barbara Glowczewska

Films You Cannot See Elsewhere

The Amos Vogel Atlas 22
Cinédoc

September 17 and 18, 2025

The Paris Films Coop, formed in France in 1974 as a cooperative of independent experimental filmmakers with the goal of disseminating their works widely. Through connections with the Experimental University of Vincennes, the magazine Melba and ciné-MBXA, the Coop later went on to become Cinédoc. For the past five decades, the Cinédoc Paris Films Coop association has been fervently preserving, distributing and promoting avant-garde and experimental cinema. 
 
On the occasion of its fiftieth anniversary, Cinédoc presents a selection of French films from the Paris Films Coop's formative years – innovative and surprising works that marked the renaissance of experimental French cinema during the 1970s. Three short film programs invite you to rediscover the singular, diverse, and radical aesthetics of a group of filmmakers, working closely with cinematographic materiality and perception, experiencing an inventive jouissance-cinéma freed from narrative-representational-industrial (NRI) settings, as described by Claudine Eizykman in her seminal 1975 book of the same name.
 
Federico Rossin: "To put these films back into circulation today, in a program designed to make them resonate in and against the current imagination, is to flood our present with joy: the indocile joy of a generation of very young artists who sought to attack the cinema of their contemporaries head-on, destroy that of their fathers, and thus rediscover the purity and radicality of that of their grandfathers, the sacred monsters of the 1920s avant-garde. A program that shows not just a utopia made real, but the reality of an artistic practice and a way of life that actually existed." (Bárbara Janicas, Beatriz Rodovalho, Dominique Willoughby)

Amos Vogel (1921–2012), an Austrian-born Jew, became one of the most important figures in international film culture after his emigration to the United States. The Amos Vogel Atlas is a series dedicated continuing Vogel's oppositional legacy alongside the study of his literary estate, which is deposited in the Film Museum.