Be Sand, Not Oil
Amos Vogel was one of America's most innovative film historians
and curators. An émigré from Austria who arrived in New York just before the Second World War, in 1947 he created Cinema
16, a pioneering film club aimed at audiences thirsty for work "that cannot be seen elsewhere," and in 1963 was instrumental
in establishing the New York Film Festival. He later embarked on an ambitious teaching career, synthesizing decades of experience
and directing his ideas towards students and, eventually, the wider public. In 1974 he published the culmination of his thoughts
– along with an extraordinary collection of stills – in Film as a Subversive Art. On his death, the New York
Times wrote that Vogel "exerted an influence on the history of film that few other non-filmmakers can claim." In the
words of Martin Scorsese: "The man was a giant."
Be Sand, Not Oil is the first book about Vogel, and includes uncollected writings, an unpublished interview, and new essays documenting his never-ending quest for what Werner Herzog, his friend of many decades, has described as "adequate imagery."
"An indispensable study [...]
If the book is invaluable for gathering together numerous never-before-collected or previously unpublished pieces by Vogel
himself, the newly commissioned essays by various scholars are every bit as welcome." (filmcomment)
"An important new book." (The New Yorker)
Be Sand, Not Oil. The Life and Work of Amos Vogel
by Paul Cronin
FilmmuseumSynemaPublikationen Vol. 24
Vienna 2014, 272 pages, with numerous illustrations
in color and b/w. In English
All publications produced by the Austrian Film Museum are distributed internationally by Columbia University Press.