Restoration, Preservation and Digitization Since 2002
13 Lakes
USA, 2004, James Benning
Digitization (2K) of the 16mm A/B original negative from the collection of the Austrian Film Museum. Commissioned by Neugerriemschneider (Berlin). Digitization and color correction: Haghefilm Digitaal (Waddinxveen).
Gustav Deutsch
63 Films
Digitization (2K) of 63 short films (1982-2003) by Gustav Deutsch and Hanna Schimek based on reversal originals, negatives, and positive prints. Funded by BMKOES as part of the "Kulturerbe digital" funding program.Michael Glawogger
10 Films
Digitization (2K) of 10 early short films (1981 to 1989) by Michael Glawogger based on reversal originals, negatives, and prints in the formats 16mm and Super8 .
Ashley Hans Scheirl
47 Filme
Digitization (2K) of 47 films (1979 to 1996) by Ashley Hans Scheirl based on reversal originals and positive prints from the Austrian Film Museum, "Kontakt Sammlung" of Erste Stiftung, and sixpackfilm. Funded by BMKOES as part of the "Kulturerbe digital" funding program.
Ten Skies
USA, 2004, James BenningDigitization (2K) of the 16mm A/B original negative from the collection of the Austrian Film Museum. Commissioned by James Benning. Digitization and color correction: Haghefilm Digitaal (Waddinxveen).
The United States of America
USA, 1975, James Benning and Bette GordonDigitization (2K) of the 16mm reversal original from the collection of the Austrian Film Museum. Commissioned by James Benning. Digitization and color correction: Haghefilm Digitaal (Waddinxveen).
2023
James Benning
Early Works
Analog preservation and the creation of new 16mm prints based on surviving 16mm positive prints of did you ever hear that cricket sound (1971), Time and a Half (1972), 3 minutes on the dangers of film recording (1975), 8-1/2 X 11 (1974). Preservation work: ANDEC Cinegrell Filmtechnik GmbH (Berlin).
Dnevnik Glumova
Soviet Union, 1923, Sergei Eisenstein
Digitization (4K) of 35mm prints and digital reconstruction based on Naum Kleiman's findings about the original sequence of scenes.
Der Einzug des Rokoko ins Inselreich der Huzzis
Austria, 1989, Andreas Karner, Mara Mattuschka, Hans Werner Poschauko
Digitization (2K) based on the original 16mm negative. Funded by BMKOES as part of the "Kulturerbe digital" funding program.
Slike iz života udarnika (Life of a Shock Force Worker)
Socialist Federal Republic of Yugoslavia (Bosnia and Herzegovina, Slovenia), 1972, Bahrudin 'Bato' Čengić (as Bata Čengić).Digital restoration (4K) based on the 35mm image and sound negatives from the Croatian state archive - Croatian cinematheque and a 35mm reference print from Slovenska kinoteka. An initiative of Slovenska kinoteka in cooperation with the Croatian state archive - Croatian cinematheque, the Austrian Film Museum, and the Film Center Sarajevo. Supported by the ACE and the EU Creative Europe MEDIA programme as well as additional funding by the Ministry of Culture of Republic of Slovenia.
Suvlaki ist Babylon: komm, iss mit mir
Austria/Germany, 1994, Mara Mattuschka
Digitization (2K) based on the original 16mm negative. Funded by BMKOES as part of the "Kulturerbe digital" funding program.
Wienfilm 1896-1976
Österreich, 1977, Ernst Schmidt jr.
Digital restoration (2K) from the original 16mm negative from the collection of the Austrian Film Museum. The English subtitles are based on a translation from Eve Heller and Peter Ahorner, which sixpackfilm made available to the Film Museum and which was adjusted for the restored version of the film. Commissioned by Helmut Benedikt. Funded by the BMKOES.
2022
Gottfried Bechtold
11 Films
Digitization and digital preservation (2K) of 11 films by Gottfried Bechtold, based on the reversal originals. Commissioned by the Generali Foundation and Gottfried Bechtold.Read more
Das Motorrad-Bahnrennen des Ö.M.V. [The Austrian Motorsport Association championships]
Austria, 1927, Gustav MayerDigitization (4K) of the 35mm duplicate negative
Available on DVD
["Flamingo" Smart Export]
The Netherlands, ca. 1959, Geesink StudioDigital restoration in 2K from a 35mm print.
Tomislav Gotovac
M, T, Kuda idemo ne pitajte
Digitization and digital restoration (2K) of 3 early films by Tomislav Gotovac in collaboration with the Croatian Film Association (Hrvatski filmski savez).Thomas Korschil
4 Films
Digitization and digital preservation (2K) of Untitled (1990), Spring (1991), Sunset Boulevard (1991) and Platz da, Halt (1993), based on the 16mm reversal originals and original negatives. Commissioned by Thomas Korschil and funded by the Federal Ministry of Arts, Culture, Public Service and Sport."Praktiken des Lehr- und Unterrichtsfilms in Österreich"
Digitization and digital preservation (2K) of educational films from the collection of the Austrian Film Museum and other holdings, including the Österreichisches Volkshochschularchiv and the Vienna University of Technology, as part of the research project "Practices of Educational and Instructional Film in Austria" by the University of Vienna in cooperation with the Ludwig Boltzmann Institute for Digital History.
Project websiteToilette
Austria, 1979, Friederike Pezold
Digitization and restoration (2K) based on a 16mm duplicate negative for the image from the collection of the Austrian Film Museum and the sound of a 16mm print from the collection of Filmarchiv Austria. Commissioned by Friederike Pezold and supported by the Federal Ministry of Arts, Culture, Public Service and Sport.tx-transform
Austria, 1998, Martin Reinhart, Virgil Widrich
Digitization (6K) of the 35mm duplicate negative from the collection of the Austrian Film Museum.
2021
Blind Husbands / Die Rache der Berge (Blinde Ehemänner)
USA, 1919, Erich von StroheimDigital restoration in 4K from a 35mm nitrate print from the collection of the Austrian Film Museum and a 35mm internegative from the collection of the Museum of Modern Art (New York). Material preparation & scan 35mm nitrate print: ARRI Media (Munich). Scan 35mm internegative: Listo Media. Sponsor: ARRI Media (Munich)
Read more
Siegfried A. Fruhauf
3 16mm Filme
Österreich, 1999–2001Digitization and digital preservation (2K) of three films, La Sortie (1999), Höhenrausch (1999) and Exposed (2001), based on positive as well as negative elements from the collection of the Austrian Film Museum, commissioned by Siegfried A. Fruhauf
Generali Foundation
Digitization and digital preservation (2K) of 8 films and film installations by different artists, based on the reversal originals and negatives from the collection of the Generali Foundation. Among others, works by VALIE EXPORT and Dorit Margreiter. Commissioned by the Generali FoundationMister Radio
Germany, 1924, Nunzio MalasommaDigital restoration in 4K carried out by DFF – Deutsches Filminstitut & Filmmuseum based on the 35mm nitro print held in the collection of the Austrian Film Museum. Laboratory services: ARRI Media (Munich)
Available on DVD | Read more
Mit dem Motorrad über die Wolken (A Motorcycle Trip Among the Clouds)
Austria, 1926, Lothar RübeltDigital restoration and reconstruction in 4K from the original 35mm negative from the the Collection of the Filmarchiv Austria and a 35mm nitrate print from the Collection of the Austrian Film Museum. In cooperation with Filmarchiv Austria
Available on DVD | Read more
Ernst Schmidt jr.
Complete Works
Austria, 1963–1993Digitization and digital preservation (2K) of the complete works (76 titles) of Ernst Schmidt jr. based on the reversal originals and original negatives kept at the Austrian Film Museum. Scan: Haghefilm Digitaal (Amsterdam). Commissioned by Helmut Benedikt and funded by the Federal Ministry of Arts, Culture, Civil Service and Sports
Nana Swiczinsky
9 Films
Österreich, 1990–2005Digitization (2K and 4K) 16mm and 35mm films: Vanishing Points (2005), A Day in the 1st World (1999), Point of View (1999), Trailer 1999 Diagonale (1999), Wieder Holung (1997), Käpt'n Knödl im Dreck (1993), Bio-Graphics (1992), Das ungehobelte Pack (1991), That to You (1990). Commissioned by Nana Swiczinsky and supported by the Federal Ministry of Arts, Culture, Public Service and Sport
2020
Renate Bertlmann
Film and Video
Austria, 1975–1994Digitization and digital preservation (2K) of the 33 Super 8 films and 1 open reel video, kept at the Austrian Film Museum. Commissioned by Renate Bertlmann and funded by the Federal Ministry of Arts, Culture, Civil Service and Sports
Grand Opera. An Historical Romance
USA/Canada, 1979, James Benning
Digital restoration in 2K starting from the 16mm reversal original. Sound Digitizing: TremensAvailable on DVD
Tatjana Ivančić
14 Super8 films
Croatia, 1970–1976Digital restoration (2K) on the basis of the Super8 prints preserved at the Croation Film Archive. Image digitization and restoration: Austrian Film Museum. Sound digitization and restoration: Light shop d.o.o. / Digital Magic Studio (Zagreb). On behalf of Kinoklub Zagreb
The Films of Tatjana Ivančić /
The Digital Restoration Process
2018–2019
11x14
USA, 1977, James Benning
Digitally restored in 2K starting from the 16mm reversal original; film-out-recording on 35mm in cooperation with Arsenal – Institut für Film und Videokunst e.V. (Berlin). Laboratory services: Laboratório ANIM, Cinemateca Portuguesa – Museu do Cinema (Lissabon), L'Immagine Ritrovata (Bologna). Technical support was kindly provided by Cinnafilm, Inc. (New Mexico)
Available on DVD
Création de la Serpentine
France, 1908, Segundo de Chomón
Digitally restored in 4K from a stencil colored 35mm print. Material preparation & scan: AV Preservation by reto.ch (Écublens). With thanks to Reto KromerRead more | watch film online
Die Jagd nach der Million
Germany, 1929/30, Max ObalCollaborative project: a digital restoration conducted by the German Film Institute & Film Museumin cooperation with the Austrian Film Museum and the CNC (Paris). The film was digitized at 2K resolution from well-preserved nitrate prints provided by CNC and the Austrian Film Museum. The sound, originally on disc, survived only in fragments. Within the digitization, image and sound were recombined again.
Kinopravda No. 1–11, 13–23
USSR, 1922–1925, Dziga VertovDigitization (2K) from 35mm b/w prints. Scan: Listo (Vienna)
Watch films online
Films by Kurt Kren
Austria, 1956–1996Digitization (2K) of 52 films from 16mm and 35mm prints. In cooperation with sixpackfilm. With support from Bundeskanzleramt Österreich Innovative Film
Maria Lassnig "Films in progress"
Maria Lassnig's "Films in progress," shot in New York in the 1970s, were digitized by the Austrian Film Museum in cooperation with the Maria Lassnig Foundation and completed in Lassnig's spirit by Hans Werner Poschauko and Mara Mattuschka.
Prazdnik Svjatogo Jorgena [Sound version]
USSR, 1930/1935, Jakov ProtazanovDigital restoration in 3K from a 35mm print
Twice a Man
USA, 1963, Gregory J. Markopoulos
Digitally restored in 2K starting from a 16mm color reversal from the collection of the EYE Filmmuseum (Amsterdam), recording on 35mm film. Restored in cooperation with Temenos, Inc. (New York) through the National Film Preservation Foundation's Avant-Garde Masters Grant program funded by The Film Foundation. Laboratory services: Laboratório ANIM - Cinemateca Portuguesa - Museu do Cinema (Lissabon), L'Immagine Ritrovata (Bologna). With thanks to the EYE Filmmuseum (Amsterdam)
Press Release
2016–2017
6/64 Mama und Papa (Materialaktion Otto Mühl)
Austria, 1964, Kurt Kren
Digitally restored in 3K from the original 16mm negative
Arsenal
USSR, 1929, Aleksandr DovženkoDigitization (2K) in cooperation with ZDF/ARTE. Scan: Listo (Vienna)
Three Films by Robert Beavers
Pitcher of Colored Light USA, 2007The Suppliant USA, 2010
Listening to the Space in My Room USA/Germany/Switzerland, 2013
New 35mm prints from the original 16mm negatives. Laboratory services: Cinema Arts Inc. (Pennsylvania)
Entuziazm (Simfonija Donbassa)
UdSSR, 1930, Dziga VertovDigitally restored in 3K from a 35mm b/w positive print
Gratinirani mozak Pupilije Ferkeverk
Yugoslavia, 1970, Karpo Godina
Digitally restored in 3K from the original 35mm negative. Restored in cooperation with the Slovenska Kinoteka (Ljubljana) and the Jugoslovenska Kinoteka (Belgrade). Audio restoration: L'Immagine Ritrovata (Bologna)
The Merry Widow
USA, 1925, Erich von Stroheim
Digitally restored in 3K from a 35mm b/w print
Nedostaje mi Sonja Henie
Yugoslavia, 1971, Karpo Godina
Digitally restored in 3K from the original 35mm negative. Restored in cooperation with the Slovenska Kinoteka (Ljubljana) and the Jugoslovenska Kinoteka (Belgrade). Audio restoration: L'Immagine Ritrovata (Bologna)
O ljubavnim veštinama
Yugoslavia, 1972, Karpo Godina
Digitally restored in 3K from the original 35mm negative. Restored in cooperation with the Slovenska Kinoteka (Ljubljana). Audio restoration: L'Immagine Ritrovata (Bologna). Thanks to Zastava Film (Belgrade)
O Panama
USA, 1985, James Benning and Burt Barr. Featuring: Willem Dafoe
Digitally restored in 2K from two 16mm prints. Audio digitization: Tremens-Film Tonstudio (Vienna)
Available on DVD
Films by Colin Ross
Preserved within the framework of the research project "Exploring the Interwar World: The Travelogues of Colin Ross (1885–1945)"
About the project | Website Mapping Colin Ross
[American Trip]
USA/Germany, late 1930s, Colin Ross
Preservation of 13 reels of 35mm nitrate positive (3K). Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
[Indien, Ceylon – Benares, Gandhi]
[China Reise – Hongkong, Markt]
[Neuguinea]
Germany, 1930s, Colin Ross
Preservation of 3 reels of 35mm nitrate positive, Digitization (2K). Laboratory services and scan: L'Immagine Ritrovata (Bologna)
Achtung Australien! Achtung Asien! Das Doppelgesicht des Ostens [Excerpts – Australien Reise]
Deutschland, 1930, Colin Ross
Digitization (2K) from a 35mm positive print. Scan: OMNIMAGO (Ingelheim)
Soviet film classics
Neobyčajnye priključenija mistera Vesta v strane bol'ševikov UdSSR, 1924, Director: Lev KulešovMat' UdSSR, 1926, Director: Vsevolod Pudovkin
Devuška s korobkoj UdSSR, 1927, Director: Boris Barnet
Šinel' UdSSR, 1926, Director: Grigorij Kozincev/Leonid Trauberg
Bronenosec Potemkin UdSSR, 1925, Director: Sergej Eisenstein
Šestaja čast' mira UdSSR, 1926, Director: Dziga Vertov
Digitalization (2K) from 35mm b/w positive prints. In cooperation with trigon-film. Scan: Listo (Vienna)
Zdravi ljudi za razonodu
Yugoslavia, 1971, Karpo GodinaDigitally restored in 3K from the original 35mm negative. Restored in cooperation with the Slovenska Kinoteka (Ljubljana) and the Jugoslovenska Kinoteka (Belgrade). Audio restoration: L'Immagine Ritrovata (Bologna)
2014–2015
Accattone
Italy, 1961, Pier Paolo Pasolini
New print from a 35mm composite duplicate negative. Laboratory services: Listo Videofilm (Vienna). Thanks to Koch Media (Planegg)
Africa Before Dark
USA, 1928, Walt Disney, Animation: Ub Iwerks
Digitally restored in 4K from a 35mm b&w nitrate print. Restored by Walt Disney Studios in cooperation with the Austrian Film Museum
California Trilogy: El Valley Centro / Los / Sogobi
USA, 1999-2001, James Benning
New prints from the original 16mm negatives. Laboratory services: Haghefilm-Digitaal (Amsterdam)
The Case of Lena Smith [Fragment]
USA, 1929, Josef von Sternberg
Digitally restored in 3K from a 35mm b&w print. Thanks to the Tsubouchi Memorial Theatre Museum of Waseda University (Tokyo)
Available on DVD | See also: Josef von Sternberg. The Case of Lena Smith
casting a glance
USA, 2007, James Benning
New print from the original 16mm negative. Laboratory services: Haghefilm-Digitaal (Amsterdam)
Chicago Loop
USA, 1976, James Benning
Digitally restored from the 16mm reversal original. Restored by the Academy Film Archive (Los Angeles) in cooperation with the Austrian Film Museum. Preservation supported by the National Film Preservation Foundation. Laboratory services: FotoKem (Los Angeles)
[d-c-fix]
Austria, 1963, Anon.
New print from the original 35mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Der Deserteur
Germany, 1909, Deutsche Mutoskop- und Biograph
Digitally restored in 3K from a tinted 35mm nitrate print
Ein Fabeltier fliegt nach Deutschland
FRG, 1954/55, Bernhard & Michael Grzimek
New print from the original 35mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to the Deutsches Filminstitut – DIF (Frankfurt a.M.) and Christian Grzimek
Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc.
USA, 1965/66, George Landow
Preserved from a 16mm print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
From the Notebook of...
USA, 2000, Robert Beavers
Digitally restored in 3K from the 35mm blow-up internegative
Eine Fuge
Austria, 1959, Jörg Ortner
New print from a 35mm duplicate negative (printed in 1996). Laboratory services: The Hungarian Filmlab (Budapest)
Das Gift der Eifersucht
Germany, 1920, Rudi Oehler
Digitally restored in 2K from a tinted 35mm nitrate print. Restored by the Bundesarchiv-Filmarchiv (Berlin) in cooperation with the Austrian Film Museum. Technical services: Arri Media (Munich)
Hernals
Austria, 1967, Hans Scheugl
Digitally restored in 3K from the 16mm reversal original and a 16mm print (printed in 1996). Audio digitization: La Camera Ottica (Gorizia)
Read more
[Humanic passt immer]
Austria, 1968, Axel Corti
Preserved from a 35mm print. Laboratory services: The Hungarian Filmlab (Budapest)
[INKU. GF-Kante]
Austria, 1965, Anon.
New print from the original 35mm negative.Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Katzelmacher
FRG, 1969, Rainer Werner Fassbinder
Digitally restored in 4K from the original 35mm negative and a contemporary 35mm print from the Austrian Film Museum. Restored by the Rainer Werner Fassbinder Foundation (Berlin)
Technical services: Arri Media (Munich)
Die Koffer des Herrn O.F. [Trailer]
Germany, 1931, Alexis Granowsky
Digitally restored in 2K from a 35mm nitrate print. Restored by the Friedrich-Wilhelm-Murnau-Stiftung (Wiesbaden) in cooperation with the Austrian Film Museum. Technical services: Arri Media (Munich)
Leben – BRD
FRG, 1990, Harun Farocki
New print from the original 16mm negative. Laboratory services: Haghefilm-Digitaal (Amsterdam). Thanks to the Deutsche Kinemathek (Berlin) and the estate of Harun Farocki
Mister Radio
Germany, 1924, Nunzio Malasomma
Preserved from a tinted and toned 35mm nitrate print. Laboratory services: L'Immagine Ritrovata (Bologna)
Österreich in Bild und Ton 27a/35
Austria, 1935, Väterländische Tonfilm GmbH
Preserved from a 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Online video collection "Austria in Sound and Vision: The Years 1935 to 1937"
Pacific Motion
Austria, 1981, Michael Glawogger
Digitally restored in 2K from a 16mm print
Panzerkreuzer Potemkin [German sound-on-disc version, 1930]
USSR/Germany, 1925/1930, Sergej Eisenstein. Adaptation: Piel Jutzi; Dialogue: A.J. Lippl; Music: Edmund Meisel
Digitally reconstructed in collaboration with the Berlin University of the Arts and the Technisches Museum Wien with the Österreichische Mediathek
[The Poppy is Also a Flower / Poppies Are Also Flowers] [Unedited press interview footage]
Film: USA, 1966, Terence Young. Interviews: USA, 1966, Telsun Foundation Inc./CBS/NBC. Featuring: Yul Brynner, Angie Dickinson, Rita Hayworth, Trevor Howard, Terence Young
Digitally restored in 2K from a 35mm print. Audio digitization: Tremens-Film Tonstudio (Vienna)
Prater
Austria, 1929, Friedrich Kuplent
Digitally restored in 2K from the 9.5mm reversal original. Restored in cooperation with the Klub der Kinoamateure Österreichs. Scan: La Camera Ottica (Gorizia)
RR
USA, 2007, James Benning
New print from the original 16mm negative. Laboratory services: Haghefilm-Digitaal (Amsterdam)
The Salvation Hunters
USA, 1925, Josef von Sternberg
Digitally restored in 3K from a 35mm b&w print. Thanks to the UCLA Film & Television Archive (Los Angeles)
Available on DVD | ARTE trailer (German)
[The Shoes of the Fisherman – Artists tests featuring Oskar Werner]
Film: USA, 1968, Michael Anderson. Tests: USA, 1967, Anthony Asquith
Digitally restored in 2K from a 16mm reduction print. Scan: La Camera Ottica (Gorizia); Audio digitization: Listo Videofilm (Vienna)
[Tapisom]
Austria, 1964, Anon.
Digitally restored in 3K from a heavily faded 35mm print. Optical soundtrack negative & print: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Das Teufelchen
Germany, 1917/18, Dr. R. Portegg [=Rosa Porten & Franz Eckstein]
Preserved from a tinted 35mm nitrate print. Laboratory services: Swedish Film Institute (Stockholm)
Tiere ohne Feind und Furcht
FRG, 1953, Bernhard & Michael Grzimek
New print from the original 35mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to the Deutsches Filminstitut – DIF (Frankfurt a.M.) and Christian Grzimek
Der Verlorene
FRG, 1951, Peter Lorre
New print from a 35mm duplicate negative. Laboratory services: Listo Videofilm (Vienna). Thanks to the Bundesarchiv-Filmarchiv (Berlin)
[Vienna 1920]
France, early 1920s, Gaumont
Digitally restored in 3K from a 35mm b&w print
Wienfilm 1896-1976
Austria, 1977, Ernst Schmidt jr.
New print from the original 16mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to Helmut Benedikt
Wir laden zum Fünf Uhr Tee
Germany (Donau- und Alpenreichsgaue), 1944, Friedrich Kuplent
Digitally restored in 2K from a 16mm print. Restored in cooperation with the Klub der Kinoamateure Österreichs
Die Zauberlaterne – Filmen kinderleicht
Germany, 1938, Gerd Briese
Digitally restored in 2K from a 16mm print
Der zerbrochene Spiegel
Austria, 1935, Josef Deimel
Digitally restored in 2K from a 16mm print. Restored in cooperation with the Klub der Kinoamateure Österreichs2012–2013
A.P. (Anno Passato)
Yugoslavia, 1966, Karpo Ačimović (Godina)
Digitally restored in 2K from the 8mm reversal original. Restored by the Slovenska Kinoteka (Ljubljana) in collaboration with La Camera Ottica (Gorizia) and the Austrian Film Museum
Divjad
Yugoslavia, 1965, Karpo Godina and Jure Pervanje
Digitally restored in 2K from the 8mm reversal original. Restored by the Slovenska Kinoteka (Ljubljana) in collaboration with La Camera Ottica (Gorizia) and the Austrian Film Museum
Dokfah Nai Meu Maan / Mysterious Object at Noon
Thailand, 2000, Apichatpong Weerasethakul
Digitally restored in 3K from the 35mm blow-up internegative. Restored in cooperation with The Film Foundation's World Cinema Project
Ein drittes Reich
Austria, 1975, Alfred Kaiser
New print from the 16mm master negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Preservation supported by the Austrian Federal Ministry for Education, the Arts and Culture
Four Corners
USA, 1997, James Benning
New print from the original 16mm negative. Laboratory services: Cinemateca Portuguesa – Museu do Cinema (Lisbon)
Die Frau, nach der man sich sehnt [Trailer]
Germany, 1929, Kurt (Curtis) Bernhardt
Scanned in 2K and digitally restored in HD from a 35mm b&w nitrate print. Restored by the Friedrich-Wilhelm-Murnau-Stiftung (Wiesbaden) in cooperation with the Austrian Film Museum. Technical services: Omnimago (Ingelheim)
Available on DVD from Universum Film
Hotel
FRG, 1976, Heinz Emigholz
Preserved from the original 16mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Ironie della vita [Fragment]
Italy, 1917, Mario Roncoroni
Digitally restored in 2K from a tinted 35mm nitrate print
Itch
Armenian SSR, 1975, Hamlet Hovsepian
Preserved from the 16mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Kaiserschnitt – Eine Operette
Austria, 1977, Alfred Kaiser
Preserved from the 16mm master negative and a 16mm print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Preservation supported by the Austrian Federal Ministry for Education, the Arts and Culture
Der lebende Leichnam / Živoj trup
Germany/USSR, 1929, Fedor Ocep
Restored via analog and digital techniques from a 35mm duplicate negative (printed in 1988) and three 35mm b&w nitrate prints. Restored in collaboration with the Deutsche Kinemathek (Berlin) with the support of the Cinémathèque suisse (Lausanne) and the Fondazione Cineteca Italiana (Milan)
Noch ein drittes Reich aus seinem Abfall
Austria, 1977, Alfred Kaiser
New print from the 16mm master negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Preservation supported by the Austrian Federal Ministry for Education, the Arts and Culture
Odmev in odziv
Yugoslavia, 1965, Vinko Rozman
Digitally restored in 2K from the 8mm reversal original. Restored by the Slovenska Kinoteka (Ljubljana) in collaboration with La Camera Ottica (Gorizia) and the Austrian Film Museum
Pes
Yugoslavia, 1965, Karpo Godina and Mario Ursic
Digitally restored in 2K from the 8mm reversal original. Restored by the Slovenska Kinoteka (Ljubljana) in collaboration with La Camera Ottica (Gorizia) and the Austrian Film Museum
Spione [Trailer]
Germany, 1928, Fritz Lang
Preserved from a 35mm b&w nitrate print. Laboratory services: Cinemateca Portuguesa – Museu do Cinema (Lisbon). Thanks to the Geheimnisvoller Filmclub Buio-Omega (Gelsenkirchen-Buer)
Available on DVD and Blu-ray from Kino Lorber
[tapiflex von INKU / tapisom von INKU]
Austria, 1966, Anon.
New print from the original 35mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Untitled 1976
Armenian SSR, 1976, Hamlet Hovsepian
Preserved from the 16mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Zetteldämmerung
Austria, 1979, Alfred Kaiser
New print from the 16mm master negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Preservation supported by the Austrian Federal Ministry for Education, the Arts and Culture2010–2011
American Dreams (lost and found)
USA, 1984, James Benning
Digitally restored in 3K from the 16mm reversal original. Audio restoration: La Camera Ottica (Gorizia), Amann Studios (Vienna)
Arrowplane
FRG, 1974, Heinz Emigholz
Preserved from the 16mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Der Ball
Austria, 1982, Ulrich Seidl
Preserved from the 16mm reversal original and a 16mm print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Preservation supported by the Austrian Federal Ministry for Education, the Arts and Culture
[Bata Shoe Factory, Zlín]
ČSR, early 1930s, Unknown
New print from the original 35mm nitrate negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Batang West Side
Philippines, 2001, Lav Diaz
New print from the 35mm internegative supervised by Lav Diaz. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Available on DVD
Bøhmisk Schweiz
Denmark, 1915, Nordisk Films Co.
Preserved from a stencil colored 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Boje sanjaju
Yugoslavia, 1958, Dušan Makavejev
Preserved from the original 35mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to Zagreb Film
Čelovek s kinoapparatom
USSR, 1929, Dziga Vertov
Digitally restored in 2K from a full-frame 35mm nitrate print. Restored by the EYE Film Institute Netherlands (Amsterdam) in cooperation with the Austrian Film Museum. Laboratory services: Haghefilm Conservation (Amsterdam)
Chaussure trop étroite
France, 1907, Pathé Frères. Featuring: Max Linder
Digitally restored in 3K from a partially tinted 35mm nitrate print
Read more | watch excerpt online
Le Chemineau rinckeur
France, 1911, Jean Durand
Preserved from a tinted 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
Demon
FRG, 1977, Heinz Emigholz
Preserved from the 16mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Desulo
Italy, 1957, Fiorenzo Serra
Digitally restored in 3K from the original 35mm FerraniaColor negative. Restored by the Cineteca Sarda (Cagliari) and La Camera Ottica (Gorizia) in collaboration with the Austrian FIlm Museum
Divertissement Chinois
France, 1909, Pathé Frères
Preserved from a tinted 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
[Dollfuss' Birthplace 1934]
Austria, 1934, Anon.
Preserved from the 16mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Einsvierzig
Austria, 1980, Ulrich Seidl
Preserved from a 16mm print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Preservation supported by the Austrian Federal Ministry for Education, the Arts and Culture
En Chine – Shanghai
France, 1908, Pathé Frères
Preserved from a tinted 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
Les Équilibristes Godayou
France, 1911, Pathé Frères
Digitally restored in 4K from a stencil colored 35mm nitrate print
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Die Eröffnung der Packstraße
(Opening of Packstraße)
Austria, 1936, Anon.
Digitally restored in 2K from the 9.5mm reversal originals. Scan: La Camera Ottica (Gorizia)
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Ether Symphony
Netherlands, 1936, George Pal
Preserved from a 35mm Gasparcolor nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
[Familiengruppenbild]
(Family Group Portrait)
Austria, 1930s, Anon.
Digitally restored in 2K from the 9.5mm reversal originals. Scan: La Camera Ottica (Gorizia)
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La France pittoresque – Quelques coins des Vosges
France, 1914, Pathé Frères
Preserved from a stencil colored 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
[Hitler Youth in Salzburg 1938]
Germany (Ostmark), 1938, Unknown
Preserved from a 35mm nitrate duplicate negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
i-94
USA, 1974, James Benning and Bette Gordon
Preserved from the 16mm reversal original
Preserved by Anthology Film Archives (New York) in cooperation with the Austrian Film Museum. Preservation supported by the Andy Warhol Foundation for the Visual Arts and the Women's Film Preservation Fund
Jérusalem [Fragment]
France, 1907, Léo Lefebvre
Preserved from a stencil colored 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to Kurt Mayer
Landscape Suicide
USA, 1986, James Benning
New print from the original 16mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Available on DVD
[Make-up Tests for A Little Night Music]
USA, 1977, Harold Prince. Featuring: Elizabeth Taylor
Digitally restored in 2K from a heavily faded 35mm print
Read more | Watch excerpt online
Mat' [Austrian Release Trailer]
Film: USSR, 1926, Vsevolod Pudovkin. Trailer: Austria, 1927, Producer: Hans-Otto Löwenstein
Digitally restored in 3K from a 35mm b&w nitrate print
Read more | Watch excerpt online
Michigan Avenue
USA, 1973, James Benning and Bette Gordon
Preserved from the 16mm reversal original
Preserved by Anthology Film Archives (New York) in cooperation with the Austrian Film Museum. Preservation supported by the Andy Warhol Foundation for the Visual Arts and the Women's Film Preservation Fund
[Oyster Fishing]
France, 1910s, Anon.
Preserved from a tinted and toned 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
Po zakonu
USSR, 1926, Lev Kulešov
Preserved from a 35mm print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Poivrot incendiaire
France, 1909, Gaumont
Preserved from a tinted 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
Prokleti praznik
Yugoslavia, 1958, Dušan Makavejev
Preserved from the original 35mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to Zagreb Film
Der Sankt Gotthard V. Von Göschenen nach Wassen
France, 1913, Gaumont
Preserved from a hand colored and tinted 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
Der Sankt Gotthard VI. Von Wassen nach Amsteg
France, 1913, Gaumont
Preserved from a stencil colored 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
Schenec-Tady I
FRG, 1973, Heinz Emigholz
New print from the original 16mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Schenec-Tady II
FRG, 1975, Heinz Emigholz
Preserved from the 16mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Schenec-Tady III
FRG, 1972-1975, Heinz Emigholz
Preserved from the original 16mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Schrattenské údolí v Dolních Rakousích
Austria-Hungary, 1910s, Anon.
Digitally restored in 2K from a tinted and toned 35mm nitrate print
Slikovnica pčelara
Yugoslavia, 1958, Dušan Makavejev
Preserved from the original 35mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to Zagreb Film
Das Souper um Mitternacht
Germany, 1921, Hans Werckmeister
Restored by the Bundesarchiv-Filmarchiv (Berlin) from a tinted and toned 35mm nitrate print from the Austrian Film Museum. Laboratory services: ABC & Taunusfilm (Wiesbaden)
Tabu [Outtakes]
USA, 1931, Friedrich Wilhelm Murnau
Preservation of all 92 reels of 35mm nitrate camera negative and 35mm nitrate positive. Laboratory services: L'Immagine Ritrovata (Bologna)
About the project "The Making of F.W. Murnau's Tabu"
Terre idéale
France, 1937, Jean Kharski
Preserved from a 35mm Ufacolor nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
The Three Musketeers [Outtakes]
USA, 1921, Fred Niblo. Featuring: Douglas Fairbanks
Preservation of three (from a total of 130) reels of 35mm nitrate positive. Preserved in cooperation with the Library of Congress (Washington, DC). Laboratory services: Haghefilm Conservation (Amsterdam)
Watch excerpt online
Tide
FRG, 1975, Heinz Emigholz
New print from the original 16mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
The United States of America
USA, 1975, James Benning and Bette Gordon
Preserved from the 16mm reversal original. Preserved by Anthology Film Archives (New York) in cooperation with the Austrian Film Museum. Preservation supported by the National Film Preservation Foundation
Der Wiener Prater und seine Geschichte
Germany (Ostmark/Donau- und Alpenreichsgaue), 1939–1944, Rudolf Strasser
Preserved via 16mm blow-up from the 9.5mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Watch film online2008–2009
Acrobaties sur avion
France, 1922, Pathé Frères
Preserved via 16mm blow-up from a 9.5mm Pathé Baby print. Laboratory services: Andec Filmtechnik (Berlin)
[Amateur Footage of Vienna, Spring 1938]
Germany (Ostmark), 1938, Anon.
Preserved via 16mm blow-up from the 9.5mm reversal original. Laboratory services: Andec Filmtechnik (Berlin)
[August Brunetti-Pisano and his Mother]
Austria-Hungary, 1913, Unknown
Preserved from a 35mm b&w nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam). Thanks to the Salzburg Museum
Buntes Allerlei
[Compilation Film]
Austria i.a., 1911–1937, Anon.
Partially preserved from a heavily damaged 16mm print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
[Dog Theater]
Germany, 1930s, Anon.
Preserved from a 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Eternal Love
[Austrian Release Trailer]
USA, 1929, Ernst Lubitsch
Digitally restored in 2K from a 35mm b&w nitrate print
Read more
[Festive Parade in Neunkirchen]
Austria, 1936, Unknown
New print from the unedited 35mm nitrate camera negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Glück über Nacht
Germany, 1932, Max Neufeld
Restored by the Bundesarchiv-Filmarchiv (Berlin) from a 35mm nitrate print from the Austrian Film Museum
[International Hairdressing Award 1937 in Vienna]
Austria, 1937, Fritz Deixler
Preserved via 16mm blow-up from the 9.5mm reversal original. Laboratory services: Andec Filmtechnik (Berlin)
Jone ovvero gli ultimi giorni di Pompei
Italy, 1913, Giovanni Enrico Vidali
Restored by the Museo Nazionale del Cinema (Turin) and the Cineteca di Bologna in cooperation with the Austrian Film Museum, the Deutsche Kinemathek (Berlin) and the British Film Institute (London). Laboratory services: L'Immagine Ritrovata (Bologna)
[Kapirim' Poschi]
Austria, 1938, Anon.
Preserved via 16mm blow-up from the 9.5mm reversal original. Laboratory services: Andec Filmtechnik (Berlin)
Khaneh siah ast
Iran, 1963, Forugh Farrokhzad
Preserved from a 35mm print containing French subtitles. Kopierarbeiten: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to the International Short Film Festival Oberhausen
Kinopravda No. 1–11 & 13–23
USSR, 1922–1925, Dziga Vertov
Preserved from 35mm prints. Preserved in cooperation with RGAKFD (Krasnogorsk). Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Die KPÖ in Bildern
Austria, 1945, Anon.
Preserved from the 16mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Das Leichenbegängnis weiland seiner kaiserlichen Hoheit Erzherzog Ferdinand der IV. Großherzog von Toskana am 21. Jänner 1908 in Salzburg
Austria-Hungary, 1908, Phillip Strasser
Preserved from a 35mm b&w nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam). Thanks to the Salzburg Museum
Max Toréador
France, 1913, Max Linder
Preserved from a partially tinted 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
[Mes jambes]
France, 1965, Pierre Molinier
Preserved via 16mm blow-up from two 8mm reversal originals from the Maison Européenne de la Photographie (Paris). Dupe negative: Blow Up Fotomanufaktur (Munich); Print: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
[Moderne Seiltänzer]
France, 1927–1929, Pathé Frères i.a.
Preserved from a tinted 35mm nitrate compilation reel. Preserved in cooperation with the Cinémathèque de la Ville de Luxembourg. Laboratory services: Haghefilm Conservation (Amsterdam)
Watch film online
Das Österreichische Derby 1914 in der Freudenau
Austria-Hungary, 1914, Pathé Frères
Preserved from a tinted 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
[Partisan Executions, Russia]
USSR, 1940s, Anon.
Preserved via 16mm blow-up from the 9.5mm reversal original. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Das Rennen der Damen 1923
Austria, 1923, Österreichischer Filmdienst
Preserved from a 35mm b&w nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Sicilia Illustrata
Italy, 1907, Arturo Ambrosio
Restored by the Museo Nazionale del Cinema (Turin) from a tinted and toned 35mm nitrate print from the Austrian Film Museum. Laboratory services: L'Immagine Ritrovata (Bologna)
Tante Klementine
Germany (Donau- und Alpenreichsgaue), 1943, Anon.
Preserved from a 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Watch film online2006–2007
ASKÖ-Wintersportmeisterschaften in Mürzzuschlag
Austria, 1947, Anon.
Preserved from the original 35mm nitrate negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to the Arbeitsgemeinschaft für Sport und Körperkultur in Österreich
Le Baromètre
Austria, 2004, Friedl Kubelka-Bondy
Preserved via 35mm blow-up from the original 16mm negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Les Chiens savants
France, 1909, Pathé Frères
Preserved from a tinted 35mm nitrate print and a 35mm duplicate negative. Preserved in cooperation with the Cinémathèque de la Ville de Luxembourg. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
The Dead Ones
USA, 1949, Gregory J. Markopoulos
Preserved from the original 35mm nitrate negative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Deseret
USA, 1995, James Benning
New print from the original 16mm negative
Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
[Dziga Vertov Exhibition Opening April 18, 1974]
Austria, 1974, Unknown
New color print from the original 16mm negative
Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Ėntuziazm (Simfonija Donbassa)
USSR, 1930, Dziga Vertov
New print from a 35mm duplicate negative (1972 restored version). Laboratory services: Listo Videofilm (Vienna)
Das erste deutsche Gauturnfest des Turngaues Wien am 2. und 3. Juli am Trabrennplatz
Austria, 1927, Gustav Mayer
Preserved from a 35mm b&w nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to the Arbeitsgemeinschaft für Sport und Körperkultur in Österreich
Erstes Bundesturnfest des deutschen Turnerbundes in Linz 1922
Austria, 1922, Eckart-Film
Preserved from a tinted 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to the Arbeitsgemeinschaft für Sport und Körperkultur in Österreich
Fületlen gomb
Austria-Hungary, 1918, Jenö Kéméndy
Restored by the Hungarian National Film Archive (Budapest) from a tinted 35mm nitrate print from the Austrian Film Museum. Laboratory Services: The Hungarian Filmlab (Budapest)
[HA.WEI. March 14, 1938]
Germany (Ostmark), 1938, Anon.
Preserved from the 16mm reversal original
Kesseltreiben
Austria, 1987, Arnold Schicker
New print from the 16mm internegative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Meissner Porzellan! Lebende Skulpturen der Diodattis im Berliner Wintergarten
Germany, ca. 1910, Gaumont
Preserved from a tinted 35mm nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Sculpteur moderne
France, 1908, Segundo de Chomón
Digitally restored in HD from a stencil colored 35mm nitrate print. Restored in cooperation with the Cinémathèque de la Ville de Luxembourg. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Völkergemisch im Wiener Prater. Ausländische Arbeitskräfte im Wiener Prater 1943
Germany (Donau- und Alpenreichsgaue), 1943, Frank Ward Rossak
Preserved from the original 35mm nitrate negative. Dupe positive: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Dupe negative & print: Listo Videofilm (Vienna)
Wessen Aurach, dessen Traun
Austria, 1984, Arnold Schicker
New print from the 16mm internegative. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Das zweite deutsche Bundesturnfest in Wien
Austria, 1926, Gustav Mayer
Preserved from a 35mm b&w nitrate print. Laboratory services: Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna). Thanks to the Arbeitsgemeinschaft für Sport und Körperkultur in Österreich2004–2005
Bardo Follies
USA, 1967, George Landow
Preserved from a 16mm print. Laboratory services: Haghefilm Conservation (Amsterdam)
Bei Achmed Beh
Germany (Donau- und Alpenreichsgaue), 1944, Anon.
Preserved from a 35mm nitrate print. Laboratory services: Listo Film (Vienna)
Diploteratology
USA, 1967, George Landow
Preserved from the 16mm reversal original. Laboratory services: Haghefilm Conservation (Amsterdam). Thanks to Anthology Film Archives (New York)
A Film of Their 1973 Spring Tour Commissioned by Christian World Liberation Front of Berkeley, California
USA, 1974, George Landow
Preserved from the 16mm reversal original. Laboratory services: Haghefilm Conservation (Amsterdam). Thanks to Anthology Film Archives (New York)
The Film that Rises to the Surface of Clarified Butter
USA, 1968, George Landow
Preserved from a 16mm print. Laboratory services: Haghefilm Conservation (Amsterdam)Ich schaff's einfach nimmer
Austria, 1973, John Cook
New print from a 16mm duplicate negative. Laboratory services: Listo Videofilm (Vienna)
Langsamer Sommer
Austria, 1976, John Cook
New print from the 35mm blow-up internegative. Laboratory services: Listo Videofilm (Vienna)
Der Mandarin
Austria, 1918, Fritz Freisler
Preserved from a tinted 35mm nitrate print. Preserved in cooperation with the George Eastman House (Rochester, NY). Laboratory services: Haghefilm Conservation (Amsterdam)
Miliz in der Früh
Austria, 1966, Hans Scheugl
Preserved from the 16mm reversal original
Ohne Titel
Austria, 1981, Heimo Zobernig
Preserved via 16mm blow-up from the Super 8 reversal original. Laboratory services: Probst Film Tricktechnik (Ostermundigen)
Ein Reisefilm unter Führung von Erika Mann
Germany, early 1930s, Unknown
Preserved from a 35mm b&w nitrate print. Laboratory services: The Hungarian Filmlab (Budapest), Synchro Film, Video & Audio Bearbeitungs GmbH (Vienna)
Schwitzkasten
Austria, 1978, John Cook
New print from the original 16mm negative. Laboratory services: Listo Videofilm (Vienna)
Thank You Jesus for the Eternal Present
USA, 1973, George Landow
Preserved from the 16mm reversal original. Laboratory services: Haghefilm Conservation (Amsterdam). Thanks to Anthology Film Archives (New York)
Untitled 1 (Hairwashing, bald head from behind, close-up yawning man, and woman gnawing her fingernails)
Armenian SSR, 1975, Hamlet Hovsepian
Preserved from the 16mm reversal original. Kopierarbeiten: Listo Videofilm (Wien)
Untitled 2 (Yawning man sitting on a chair in full view)
Armenian SSR, 1975, Hamlet Hovsepian
Preserved from the 16mm reversal original. Laboratory services: Listo Videofilm (Vienna)
What's Wrong With This Picture? 1
USA, 1971, George Landow
Preserved from the 16mm reversal original. Laboratory services: Haghefilm Conservation (Amsterdam). Thanks to Anthology Film Archives (New York)
What's Wrong With This Picture? 2
USA, 1972, George Landow
Preserved from the 16mm reversal original. Laboratory services: Haghefilm Conservation (Amsterdam). Thanks to Anthology Film Archives (New York)2002–2003
Die Abenteuerin von Monte Carlo
Germany, 1921, Adolf Gärtner
Restored by the Bundesarchiv-Filmarchiv (Berlin) from a tinted and toned 35mm nitrate print from the Austrian Film Museum. Laboratory services: ABC & Taunusfilm (Wiesbaden)
Achtung Australien! Achtung Asien! Das Doppelgesicht des Ostens [Outtakes – Australian Trip]
Germany, 1930, Colin Ross
Preservation of one reel of 35mm nitrate positive. Laboratory services: Listo Film (Vienna)
Das Baby
Austria, 1918, Hans Karl Breslauer. Featuring: Hans Moser
Preserved from a tinted 35mm nitrate print. Laboratory services: Listo Film (Vienna)
Einatmen und ausatmen
Austria, 1967, Günter Brus
Preserved from the 16mm reversal original. Laboratory services: Listo Film (Vienna)
Fingerprint
Austria, 1968, Peter Weibel
Preserved from the 16mm reversal original. Laboratory services: Listo Film (Vienna)
Gammelion
USA, 1967, Gregory J. Markopoulos
Preserved from a 16mm direct print (printed in 1972 from the reversal original). Laboratory services: Haghefilm Conservation (Amsterdam)
Das goldene Wiener Herz
Austria-Hungary, 1911, Ernst Klein
Preserved from a tinted 35mm nitrate print. Laboratory services: Haghefilm Conservation (Amsterdam)
Klavier Salon 1. Stock
Austria, 1956, Kurt Kren
Preserved via 16mm blow-up from the 8mm reversal original. Laboratory services: Andec Filmtechnik (Berlin)
Klein-Evchen
Austria, 1918, Hans Karl Breslauer
Preserved from a tinted 35mm nitrate print. Laboratory services: Listo Film (Vienna)
König der Zwerge und der arme Weber
ČSR, 1920s, Anon.
Preserved from a tinted 35mm nitrate print. Laboratory services: Listo Film (Vienna)
Oh Dem Watermelons
USA, 1965, Robert Nelson
Preserved from a 16mm print. Laboratory services: Listo Film (Vienna)
Pullover
Austria, 1967, Günter Brus
Preserved from the 16mm reversal original. Laboratory services: Listo Film (Vienna)
Rom [Fragment]
Austria, 1956, Kurt Kren
Preserved via 16mm blow-up from the 8mm reversal original. Laboratory services: Andec Filmtechnik (Berlin)
[Schneewittchen]
Germany, late 1920s, Robert Fürst
Preserved from a 35mm b&w nitrate print. Laboratory services: Listo Film (Vienna)
Tabu Takes & Outtakes
USA, 1931, Friedrich Wilhelm Murnau. Outtakes edited by: Enno Patalas
Preservation of two reels of 35mm nitrate camera negative. Preserved in collaboration with the Cineteca di Bologna. Laboratory services: L'Immagine Ritrovata (Bologna)
Available on DVD and Blu-ray from Kino Lorber | Project "The Making of F.W. Murnau's Tabu"
Das Walk
Austria, 1956, Kurt Kren
Preserved via 16mm blow-up from the 8mm reversal original. Laboratory services: Andec Filmtechnik (Berlin)
